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I advertise. "Roadhouse" (1989) - perfect, perfect movie. Maybe this is what is the movie: that is, there is an art, or a message, or a miracle, or something that is able to turn the life, and here it is clear picture. And it is such a joy. Events unfold in a perfect pattern in the space of myth, under ideal replica music. For example, Dalton backyard still pinned to the wall and bludgeoned three, here to help out of the blue sky comes his older friend and mentor Wade, which they probably have not seen, and Dalton, panting, said: "Hey, I had it under control! ". (Wade is responsible, they say, yeah, and I'm glad to see you.) Or Dolton, electropura sewing up his own knife cut on his shoulder, in response to the invitation to fly on an airplane: - I don't fly ... Too dangerous (ie, should be the main character of this slabinka).
Or, finally, Dalton - after refused anesthetic injection, and the girl doctor asked, "what electropura are you, like pain?": - Pain don't hurt (in voiceovers translating "pain - bullshit"; yesterday sat rattled mom ear synchronously, Mom, Mom, maaaama, is not so at all, in the end, she told me to shut up and you can give me at least once quietly watch a good movie!?). I like the most incredible actor's transformation - in frames next to Wade Dalton sometimes becomes quite young, even once widely yawns.
Ha, you have listed almost all iconic moments of the film! I also like so much when he sews up the wound ... and the scene in the hospital ... And when he says that he studied philosophy ... mmmm ... mmmmm ;) And, well, even when his girl comes home from the club ... and he gets up .. and she looks at him taak ... well, you understand)))
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