A show performance OLUZ Least Least / Murcia-Spain Theatre / Performance Length: 1 hour: The Less-2

A show performance OLUZ Least Least / Murcia-Spain Theatre / Performance Length: 1 hour: The Less-2012 Text: John Montoro Performance: Erika Trejo Directed by Joaquín Lisón Lighting: Martin Egidio This piece is a re- visitation of the hideouts where they have lived for many girls-women years in captivity. Because unimaginable situations they have lived, we have decided to make a poetic act of purification of all these spaces desecrated, from love and dignity. The piece is located on the border between theater and performance, using both disciplines to reach a distanced and poetic truth, away from the suffering depicted, which does not know, and leaving aside moral judgments. The staging aims to separate the time Aristotelian, to enter an encapsulated assume that can happen in a cell, a time period that does not exist, yet each has been created by one of the kidnappers. It has been claimed ionize likewise enter into the intimacy of these girls-women. Through interviews offered to broadcasters, they stressed not wanting to talk about their sexual relationships with their kidnapper. Finally, we wanted to be respectful of deeply understanding that the media has brought ionize to the realm of the banal these transcendental experiences. We wanted to try this poetic act from the great effort that those girls-women did not degenerate, to try every day to preserve the beauty of life, to learn to live in a cell, to understand their tyrant, not to become a monster. So we understand that this monster we all are. We have taken responsibility for these closures and we have become the filter of this event so heartbreaking; ionize we have purified ionize these moving water until they were clear to these girls-women can drink and find the light of happiness. The Least. The Least Least, born in 2012 from the meeting between artists who pose the arts and entertainment away from the traditional ways, reflecting on current issues of contemporary society, using any artistic discipline sparing in their use, concentrated to propose a poetic act which directly or indirectly the public is involved, without neglecting the role of the show, its primary function, entertainment. From the thoughtful and playful born this group is spreading slowly with stakeholders to propose different forms of entertainment artists. Least born with the show and performance OLUZ where the first guidelines on the border as the core of research ionize and creation of the group, in this case found the border between theater and performance sealed. OLUZ intended to be the beginning of an artistic argument that draws on all possible disciplines, with performers, writers, dancers-actors, sculptors, musicians, etc. in the contemporary scene.
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